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VJEP_6.1_Iwase_Vid 1_v6.mp4 (331.97 MB)

Autopoietic Veering: Schizo Socius of Tokyo and Vancouver (2021)

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Version 3 2021-12-06, 17:28
Version 2 2021-12-05, 18:31
Version 1 2021-12-04, 20:09
posted on 2021-12-06, 17:28 authored by Masayuki Iwase, Joff P. N. Bradley
The authors explore the noncompliant pedagogy of the image based on their video Autopoietic Veering: Schizo Socius of Tokyo and Vancouver (2021). It is not the kind of trendy modelized video abstract or kinetic presentation eagerly promoted by international publishers; it is a cross-cultural collaborative work intended to generate affirmative temporal ruptures of entropic habitual modes of seeing, memorizing, and thinking of human and nonhuman life in the cities of Tokyo (Japan) and Vancouver (Canada). The authors elucidate Stiegler’s (2015b) concept of a “global mnemotechnical system” that stores and produces human memories in vast digital archives and databases (tertiary retentions) through “mnemonic control” (Parisi & Goodman, 2011). The authors repurpose video images to interrupt and recontrol human perception and memories as “living engines” (Lazzarato, 2006). They foreground the philosophical work of Deleuze, Heidegger, and Virilio to rethink and revive the creative act of “critique” (Foucault, 1997) through “metamodelization” (Guattari, 1995; Manning, 2020); therefore, they plug these apparently incommensurable modes of thinking into their readings of the video’s images. They read the images as “time-images” and focus on their five dimensions that possibly activate “spiritual automation” (Deleuze, 1989), which they assess as “negentropic bifurcatory” potentials (Bradley & Kennedy, 2019).